Peter Thiel’s recommendations orbit a single thinker. René Girard is not
one influence among many; he is the operating system. Things Hidden Since
the Foundation of the World and Resurrection from the Underground
(Girard on Dostoevsky) supply the theory of mimetic desire and scapegoating
that Thiel applies to everything — which is why he argues, in Zero to One, that
competition is for losers: rivals locked in imitation destroy each other’s
margins, while the escape is to build something singular that no one else is
copying. To read Thiel’s list is to watch a businessman apply a French literary
theorist’s ideas to venture capital.
From that root grow two branches. The first is the future. Thiel
reads speculative books as forecasts, not entertainment: The Sovereign
Individual on the decline of the nation-state (formative to his PayPal-era
thinking about digital money), Bacon’s four-century-old New Atlantis,
Stephenson’s The Diamond Age on AI and nanotech, and Tom Wolfe’s
The Right Stuff as a meditation on steeling yourself to take risks.
The second is the extremes of the twentieth century and of myth —
Timothy Snyder’s Bloodlands on mass murder between Hitler and Stalin,
and the fantasy and literature (Tolkien, Bulgakov) that shaped his moral
imagination.
What Thiel’s reading reveals that a flat list cannot is a contrarian’s
method: he reads to escape consensus. Even Atlas Shrugged appears not
as a libertarian badge but as a book he reckoned with and then partly rejected
— he has called Rand a "merely half-great writer" whose heroes were fake. The
through line is a search for the non-obvious truth, the "secret" that Zero to
One urges founders to find: whether in a banned Soviet novel, a Renaissance
utopia, or the anthropology of desire, Thiel reads for the idea that the crowd
has not yet caught up to.