Randall Carlson’s reading reveals a researcher assembling a single, sweeping
argument out of many disciplines. The spine is the Younger Dryas
catastrophe, and the books that carry it are Graham Hancock’s.
Fingerprints of the Gods and its sequel Magicians of the Gods
lay out the case for a lost civilisation destroyed by a cataclysm at the end of
the last Ice Age — and Carlson is not merely a reader of them but a
collaborator in the project, the geologist who supplies the field evidence (the
Channeled Scablands, the Missoula floods, J Harlen Bretz’s once-heretical work)
that Hancock’s narrative leans on.
Around that spine the reading fans out into the topics a catastrophist needs:
ancient history and the search for lost knowledge (Sign and the Seal),
and natural history that widens the human story into the deep past
(Coyote America). The influence he cites most warmly outside Hancock is
Charles Hapgood, whose theory of crustal displacement — controversial, and once
endorsed by Einstein in a foreword — Carlson describes as a formative
inspiration; because the site holds no record of Hapgood’s books, that thread
lives in the essay rather than the list.
What Carlson’s reading reveals that a flat list cannot is the shape of an
alternative research tradition — one that treats myth as data, reads the
landscape as a crime scene, and is willing to entertain conclusions the
academy rejects. This page reports that reading faithfully and neutrally: these
are the books Carlson cites and builds on, several of them firmly in the realm
of contested or fringe scholarship. Whether one finds the case persuasive or
not, the shelf is a coherent portrait of how one of catastrophism’s most
prominent popularisers arrived at his worldview.